Errollyn Wallen - 'renaissance woman of contemporary British music' (The Observer) - is as respected a singer-songwriter of pop influenced songs as she is a composer of contemporary new music. Communication is at the centre of both worlds: engaging the audience, speaking directly to hearts and minds. Born in Belize, Errollyn Wallen gave up her training at the Dance Theater of Harlem, New York to study composition at universities of London and Cambridge. She founded her own Ensemble X and its motto, we don’t break down barriers in music… we don’t see any, reflects her genuine, free-spirited approach and eclectic musicianship. She has been commissioned by outstanding music institutions from the BBC to the Royal Opera House and performed her songs internationally.

Errollyn Wallen’s song Daedalus appears alongside songs by Björk, Sting, Elvis Costello and Meredith Monk on the Brodsky Quartet’s recent CD 'Moodswings'. The two solo albums Meet Me at Harold Moores and most recently Errollyn feature her songs in her own voice/piano performance and in collaboration with outstanding jazz artists. Her multi-media show Jordan Town, a modern day song cycle with dance and film, was a sell-out hit at the Edinburgh Festival. The Errollyn Wallen Songbook published by Peters Edition comprises twelve of her celebrated songs for voice with piano accompaniment.

Errollyn Wallen’s quality as a writer for the human voice becomes also apparent in her more classical vocal works: Are You Worried About the Rising Cost of Funerals is a song cycle for soprano and string quartet commissioned by the Birmingham Contemporary Music Group and recorded on her classical solo album The Girl in My Alphabet which received rave reviews at its release. Fairy Scary comprises song settings of fairy stories for voice and small instrumental ensemble and was commissioned by the Wigmore Hall. The Dunedin Consort commissioned and world-premièred Comfort Me with Apples for soloists and instrumental ensemble with words from ‘The Song of Songs’ in September 2006. A new work for voice and instrumental ensemble has been commissioned by the Birmingham Contemporary Music Group for performance in spring 2009.

Recent chamber works include a quintet for flute and string quartet All the Blues I See premièred by Emily Beynon and the Brodsky Quartet, Romeo Turn for viola, cello and double bass, Dervish for cello and piano, solo guitar pieces for the International Guitar Foundation and a series of piano duets and piano solo pieces, Errollyn Wallen’s very own instrument. The Schubert Ensemble commissioned and premièred Music for Tigers, a piano quintet, in October 2006.

The on-going operatic project Another America is an exploration into the black condition, past, present and future: The Royal Opera House and Nitro commissioned Another America: Earth, premièred the opera in November 2003 at the Linbury Theatre and revived the piece in 2005, including a BBC television broadcast. Another America: Fire was commissioned by Push and first seen at Sadler’s Wells in September 2004. Errollyn Wallen’s opera The Silent Twins about the love-hate relationship of black twin girls was commissioned by Almeida Opera and first performed in July 2007. It is based on real live events as depicted in the book by Marjorie Wallace and was composed on a libretto by acclaimed playwright April de Angelis. Other stage works include the ballet Horseplay which was commissioned and choreographed by Tom Sapsford for the Royal Ballet. Horseplay is also used in a new ballet called ‘Tempest’ choreographed by James Bailey which was first performed by Leipzig Ballet in April 2007; for this occasion Leipzig Ballet commissioned a one orchestra version of Spirit Symphony to form part of the music for this dance piece. The BBC has also been involved in the commissioning of some of Errollyn Wallen‘s most popular orchestral works: Colin Currie premièred her Concerto for Percussion and Orchestra for the Young Musician of the Year Award in 1994. This work was selected by the British Council to represent the UK in the opening concert of the Cervantino Festival in Mexico in October 2006 where it received a rapturous reception. Spirit Symphony - Speed-Dating for Two Orchestras was first performed at the final event of the ‘Listen up!’ Festival at the Royal Festival Hall in November 2004 and won the 2005 British Composer Awards in the BBC Radio 3 Listeners’ Award category. The Philharmonia Orchestra conducted by Martyn Brabbins premièred Mighty River, an orchestral work to commemorate the 200th anniversary of the Abolition of Slavery in February 2007 at Holy Trinity Church Clapham.

The Orchestra of the Swan commissioned Errollyn Wallen’s Photography for string orchestra which was premièred in March 2006 and toured the UK widely. The Orchestra of the Swan have continued its association with Errollyn Wallen, by appointing her Composer in Association and by commissioning a new Cello Concerto premièred by Matthew Sharp in January 2008, as well as a Concerto Grosso for piano, violin, double bass soloists and strings to be premièred in June 2008. Carbon 12: A Choral Symphony, a 50 minute oratorio about South Wales commissioned by Welsh National Opera for large orchestral and vocal forces, with a libretto by John Binias, was premièred (conducted by Carlo Rizzi) at the Welsh Millennium Centre, Cardiff, in June 2008 with a subsequent tour.

Errollyn Wallen was awarded an MBE for her services to music in the Queen’s birthday honours list in June 2007.

Press:

Errollyn Wallen, singer composer, musician, renaissance woman of contemporary British music - The ObserverBright, funky, irreducible - What’s On (London)
A major new compositional voice - Gramophone
She is a spectacular composer - International Record Review
A rigorous and lively musical intellect - The Guardian
Moments of rare beauty - The Times
The most gifted in the crowd - The Independent
Total brilliance - Melody Maker
Expect the unexpected - The Observer
If Wallen was to become a household name it could only be a good thing - The Independent on Sunday www.errollynwallen.com