John Cage: Sonatas and Interludes

---

Jonathan Dove:
Flight

---

Jonathan Dove:
The Three Kings

---

Alan Hovhaness:
Visionary Landscapes

---

Patric Standford: A Christmas Carol Symphony
Movement 1
Movement 2
Movement 3
Movement 4

---

Richard Strauss: Also sprach Zarathustra

---

Errollyn Wallen
Jesus on a Train

---

Films

---

The Exorcist
(George Crumb: Black Angels

---

Shutter Island

---

Feel Good...

The Swingle Singers:
William Tell Overture
The Magic Flute Overture
Ciao, Bella, Ciao etc...

---

Licensing Services

---

For years, music published by Peters Edition has been licensed extensively in public performance, for use in TV Ads, Radio, Film, DVD and ballet. We continue to offer an incredibly focused and select range of titles, all of the highest possible standard, and suitable to every situation.

With an expert team and system, we are able to offer a fast and comprehensive service to suit your every licensing requirement.

---

Visit our brand new New Classics Licensing website, to listen to our catalogue on-line.

---

Since its use in Stanley Kubrick's film "2001: A Space Odyssey" our most famous copyright "Also sprach Zarathustra" by Richard Strauss has taken on a new dimension for a whole generation as music's most powerful evocation of the majesty of the universe. It has been featured in major international blockbuster films including 2010, Magnolia, Mission Impossible 2, Man on the Moon, Toy Story 2, and Casino as well as numerous significant advertising campaigns and television programmes.

Other major licensed usages of our copyrights in film include:
George Crumb: Black Angels (The Exorcist)
György Ligeti: Requiem and Lux Aeterna (2001: A Space Odyssey)
György Ligeti: Lux Aeterna: (2010)
Gyorgy Ligeti: Cello Concerto (Heat)
Christian Sinding: Rustle of Spring (Outrageous Fortune)

---

One Stop Shop

Obtaining licenses for music and recordings can be a laborious process, which often involves numerous contracts and negotiations with various parties, and often under strict time contstraints.

However, since in many cases we have control of both the Synchronization right and the Master, or recording right, we can make the process of obtaining music for your usage incredibly simple. The ablilty to offer both intellectual property and a recording of the work provides our customers with by far the most straight-forward way of getting the music you want for your production, in one move.

---

Applying for a Licence

The use of copyright music requires the appropriate licence to be obtained in advance.

Concert performances and broadcasts

Concert performances and broadcasts of our repertoire are licensed via the Performing Right Society (PRS) or its affiliated societies overseas.
www.prs.co.uk

---

CD recordings

CD recordings of our repertoire are licensed via Mechanical-Copyright Protection Society (MCPS) or its affiliated societies overseas.
www.mcps.co.uk

---

To apply for all other music licenses including:

---

Media Synchronisation licensing for use in film, television, DVD and online contact us

---

Grand right licensing for opera and ballet contact us

---

Reprint Licensing to reproduce a copyright work in print, electronic or digital form contact us

---

Permission to make an arrangement of a copyright work contact us

---

Permission tosample a recording of a copyright work into another work contact us

---

If you have any questions relating to any of our copyrights, please contact us directly with full details of your licensing requirements and we will be pleased to guide you through the licensing process.

Contact:
Andrew Kemp
Head of Business Affairs
Peters Edition Limited
Hinrichsen House 
2-6 Baches Street
London N1 6DN UK
Tel. +44 (0)20 7553 4031

---

Terms & Conditions

---

Catalogue Downloads

---

---

News

---

The new year brought the release of Martin Scorsese’s new thriller Shutter Island for which we supplied two important tracks; John Cage’s Music for Marcel Duchamps and Lou Harrison’s Nocturne from ‘Suite For Symphonic Strings,’.The choice of music displayed a significant and positive departure from Scorsese’s regular choice of jukebox titles, and has contributed hugely to the unsettling and chilling atmosphere of the film, which starred Leonardio Di Caprio, Mark Ruffalo and Ben Kingsley. Taken as a whole this set of pieces certainly suggests a different mood rather than a conventional score.

---

And what better way to validate the diversity of our rapidly expanding catalogue than to have world renowned vocal act the ‘Swingle Singers’, contributing to the comedy in 2009 hilarious blockbuster Wedding Crashers, starring Owen Wilson and Vince Vaughn.

---