Sicilienne Op.78 (version for violin or viola):
Although Fauré gave us several instrumentations of this celebrated piece, it is almost certain that he did not make the violin and piano transcription which was published in 1898 together with his authentic cello and piano version. As Roy Howat notes, this 1898 violin and piano version for the most part simply transcribes the cello part up an octave, or sometimes two octaves. While this is often perfectly acceptable, the pitch relationship between the violin and piano lines is in places less than optimal. Therefore in Roy Howat’s arrangement he offers an option with the material recast at these points, to create a more satisfying interplay between melody and accompaniment. In particular, a substantial ossia is offered in the central section, so that either instrument can take the melody line. This ossia is also included in the viola version.